The Project Gutenberg EBook of The Lost Guidon, by
Charles Egbert Craddock (AKA Mary Noailles Murfree)
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: The Lost Guidon
1911
Author: Charles Egbert Craddock (AKA Mary Noailles Murfree)
Release Date: November 19, 2007 [EBook #23555]
Last Updated: March 8, 2018
Language: English
Character set encoding: UTF-8
*** START OF THIS PROJECT GUTENBERG EBOOK THE LOST GUIDON ***
Produced by David Widger
THE LOST GUIDON
By Charles Egbert Craddock
1911
Night came early. It might well seem that day had fled affrighted. The
heavy masses of clouds, glooming low, which had gathered thicker and
thicker, as if crowding to witness the catastrophe, had finally shaken
asunder in the concussions of the air at the discharges of artillery,
and now the direful rain, always sequence of the shock of battle, was
steadily falling, falling, on the stricken field. Many a soldier who
might have survived his wounds would succumb to exposure to the elements
during the night, debarred the tardy succor that must needs await his
turn. One of the surgeons at their hasty work at the field hospital,
under the shelter of the cliffs on the slope, paused to note the presage
of doom and death, and to draw a long breath before he adjusted himself
anew to the grim duties of the scalpel in his hand. His face was set and
haggard, less with a realization of the significance of the scene--for
he was used to its recurrence--than simply with a physical reflection of
horror, as if it were glassed in a mirror. A phenomenon that had earlier
caught his attention in the landscape appealed again to his notice,
perhaps because the symptom was not in his line.
“Looks like a case of dementia,” he observed to the senior surgeon,
standing near at hand.
The superior officer adjusted his field-glass. “Looks like 'Death on the
White Horse'!” he responded.
Down the highway, at a slow pace, rode a cavalryman wearing a gray
uniform, with a sergeant's chevrons, and mounted on a steed good in his
day, but whose day was gone. A great clot of blood had gathered on his
broad white chest, where a bayonet had thrust him deep. Despite his
exhaustion, he moved forward at the urgency of his rider's heel and
hand. The soldier held a long, heavy staff planted on one stirrup,
from the top of which drooped in the dull air the once gay guidon,
battle-rent and sodden with rain, and as he went he shouted at
intervals, “Dovinger's Bangers! Rally on the guidon!” Now and again
his strident boyish voice varied the appeal, “Hyar's yer Dov-inger's
Rangers! Bally, boys! Rally on the reserve!”
Indeed, despite his stalwart, tall, broad-shouldered frame, he was
scarcely more than a boy. His bare head had flaxen curls like a child's;
his pallid, though sunburned face was broad and soft and beardless; his
large blue eyes were languid and spiritless, though now and then as he
turned an intent gaze over the field they flared anew with hope, as if
he expected to see rise up from that desolate expanse, from among the
stiffening carcasses of horses and the stark corpses of the troopers,
that gallant squadron wont to follow, so dashing and debonair, wherever
the guidons might mark the way. But there was naught astir save the
darkness slipping down by slow degrees--and perchance under its cloak,
already stealthily afoot, the ghoulish robbers of the dead that haunt
the track of battle. They were the human forerunners of the vulture
breed, with even a keener scent for prey, for as yet the feathered
carrion-seekers held aloof; two or three only were descried from the
field hospital, perched on the boughs of a dead tree near the river,
presently joined by another, its splendid sustained flight impeded
somewhat by the rain, battling with its big, strong wings against the
downpour of the torrents and the heavy air.
And still through all echoed the cry, “Rally on the guidon! Dovinger's
Rangers! Rally on the reserve!”
The bridge that crossed the river, which was running full and foaming,
had been burnt; but a span, charred and broken, still swung from the
central pier. Over toward the dun-tinted west a house was blazing, fired
by some stray bomb, perhaps, or by official design, to hinder the enemy
from utilizing the shelter, and its red rage of destruction bepainted
the clouds that hung so low above the chimneys and dormer-windows. To
the east, the woods on the steeps had been shelled, and a myriad boughs
and boles riven and rent, lay in fantastic confusion. Through the
mournful chaos the wind had begun to sweep; it sounded in unison with
the battle clamors, and shrieked and wailed and roared as it surged
adown the defiles. Now and then there came on the blast the fusillade
of dropping shots from the south, where the skirmish line of one
faction engaged the rear-guard of the other, or the pickets fell within
rifle-range. Once the sullen, melancholy boom of distant cannon shook
the clouds, and then was still, and ever and again sounded that tireless
cry, “Dovinger's Rangers. Hyar's yer guidon! Rally, boys! Rally on the
guidon! Rally on the reserve!”
The senior surgeon, as the road wound near, stepped down toward it
when the horseman, still holding himself proudly erect, passed by.
“Sergeant,” he hailed the guidon, “where is Captain Dovinger?”
The hand mechanically went to the boy's forehead in the usual military
salute. “Killed, sir.”
“Where are the other officers of the squadron--the junior captain, the
lieutenants?”
“Killed, sir.”
“What has become of the troopers?”
“Killed, sir, in the last charge.”
There was a pause. Then Dr. Trent broke forth: “Are you a fool, boy? If
your command is annihilated, why do you keep up this commotion?”
The young fellow looked blank for a moment. Then, as if he had not
reasoned on the catastrophe: “I thought at first they monght be
scattered--some of 'em. But ef--ef--they _war_ dead, but could once
_see_ the guidon, sure 't would call 'em to life. They _couldn't_ be
so dead but they would rally to the guidon! Guide right!” he shouted
suddenly. “Dovinger's Rangers! Rally on the guidon, boys! Rally on the
reserve!”
It was a time that hardened men's hearts. The young soldier had no
physical hurt that might appeal to the professional sympathies of the
senior surgeon, and he turned away with a half laugh. “Let him go
along! He can't rally Dovinger's Rangers this side of the river Styx, it
seems.”
But an old chaplain who had been hovering about the field hospital,
whispering a word here and there to stimulate the fortitude of the
wounded and solace the fears of the dying, recognized moral symptoms
alien to any diagnosis of which the senior surgeon was capable. The
latter did not deplore the diversion of interest, for the old man's
presence was not highly esteemed by the hospital corps at this scene of
hasty and terrible work, although, having taken a course in medicine in
early life, he was permitted to aid in certain ways. But the surgeons
were wont to declare that the men began to bleat at the very sight of
the chaplain. So gentle, so sympathetic, so paternal, was he that they
made the more of their wretched woes, seeing them so deeply deplored.
The senior surgeon, moreover, was not an ardent religionist. “This is no
time for a revival, Mr. Whitmel,” he would insist. “Jack, there, never
spoke the name of God in his life, except to swear by it. He is too late
for prayers, and if _I_ can't pull him through, he is a goner!” But the
chaplain was fond of quoting:
“Between the stirrup and the ground
He mercy sought and mercy found----”
and sometimes the scene was irreverently called a “love feast” when
some hard-riding, hard-swearing, hard-fighting, unthinking sinner went
joyfully out of this world from the fatherly arms of the chaplain into
the paternal embrace of an eternal and merciful Father, as the man of
God firmly believed.
He stood now, staring after the guidon borne through the rain and the
mist, flaunting red as the last leaves of autumn against the dun-tinted
dusk, that the dead might view the gallant and honored pennant and rise
again to its leading!
No one followed but the tall, thin figure of the gaunt old chaplain,
unless indeed the trooping shadows that kept him company had
mysteriously roused at the stirring summons. Lanterns were now visible,
dimly flickering in one quarter where the fighting had been furious and
the slain lay six deep on the ground. Their aspirations, their valor,
their patriotism, had all exhaled--volatile essences, these incomparable
values!--and now their bodies, weighted with death, cumbered the earth.
They must be hurried out of sight, out of remembrance soon, and the
burial parties were urged to diligence at the trenches where these
cast-off semblances were to lie undistinguished together. And still the
reflection of the burning house reddened the gloomy west, and still the
cry, “Rally on the guidon! Dovinger's Rangers!” smote the thick air.
Suddenly it was silent. The white horse that had been visible in the
flare from the flaming house, now and again flung athwart the landscape,
no longer loomed in the vista of the shadowy road. He had given way at
last, sinking down with that martial figure still in the saddle, and,
with no struggle save a mere galvanic shiver, passing away from the
scene of his faithful devoirs.
Fatigue, agitation, anguish, his agonized obsession of the possibility
of rallying the squadron, had served to prostrate the soldier's physical
powers of resistance. He could not constrain his muscles to rise from
the recumbent position against the carcass. He started up, then sank
back, and in another moment triumphant nature conquered, and he was
asleep--a dull, dreamless sleep of absolute exhaustion, that perchance
rescued his reason as well as saved his life.
The old chaplain was a man of infinite prejudice, steeped in all the
infirmities and fantasies of dogma; a lover of harmony, and essentially
an apostle of peace. Nevertheless, it would not have been physically
safe to call him a Jesuit. But indeed he scarcely hesitated; he stepped
over the great inert bulk of the dead horse, unclenched the muscular
grasp of the soldier, as if it had been a baby's clasp, slipped the
staff, technically the lance, of the guidon from its socket, and stood
with it in his own hand, looking suspiciously to and fro to descry if
perchance he were observed. The coast clear, he turned to the wall
of rock beside the road, for this was near the mountain sandstone
formation, fissured, splintered, with the erosions of water and weather;
and into one of the cellular, tunnel-like apertures he ran the guidon,
lance and all,--lost forever from human sight.
In those days one might speak indeed of the march of events. Each seemed
hard on the heels of its precursor. Change ran riot in the ordering of
the world, and its aspect was utterly transformed when Casper Girard,
no longer bearing the guidon of Dovinger's Rangers, came out of the war
with a captain's shoulder-straps, won by personal fitness often proved,
the habit of command, and a great and growing opinion of himself. He was
a changeling, so to speak. No longer he felt a native of the mountain
cove where he had been born and reared. He had had a glimpse of
the world from a different standpoint, and it lured him. A dreary,
disaffected life he led for a time.
“'Minds me of a wild tur-r-key in a trap,” his mother was wont to
comment. “Always stretchin' his neck an' lookin' up an' away--when
he mought git out by looking down.” And the simile was so apt that it
stayed in his mind--looking up and away!
Of all dull inventions, in his estimation the art of printing exceeded.
He had made but indifferent progress in education during his early
youth; he was a slow and inexpert reader, and a writer whose chirography
shrank from exhibition. Now, however, a book in the hand gave him a
cherished sentiment of touch with the larger world beyond those blue
ranges that limited his sphere, and he spent much time in sedulously
reading certain volumes which he had brought home with him.
“Spent _money_ fur 'em!” his mother would ejaculate, contemplating this
extreme audacity of extravagance.
As she often observed, “the plough-handles seemed red-hot,” and as soon
as political conditions favored he ran for office. On the strength of
his war record, a potent lever in those days, he was elected register
of the county. True, there was only a population of about fifty souls
in the county town, and the houses were log-cabins, except the temple
of justice itself, which was a two-story frame building. But his success
was a step on the road to political preferment, and his ambitious eyes
were on the future. Into the midst of his quiet incumbency as register
came Fate, all intrusive, and found him through the infrequent medium of
a weekly mail. It was at the beginning of the retrospective enthusiasm
that has served to revive the memories of the War, and he received a
letter from an old comrade-in-arms, giving the details of a brigade
reunion shortly to be held at no great distance, and, being of the
committee, inviting him to be present.
Girard had participated in great military crises; he had marshalled his
troop in line of battle; as a mere boy, he had ridden with the guidon
lance planted on his stirrup, with the pennant flying above his head,
as the marker to lead the fierce and famous Dov-inger Rangers into the
thickest of the fight; yet he had never felt such palpitant tremors
of excitement as when he stood on the hotel piazza of the New Helvetia
Springs, where the banqueters had gathered, and suffered the ordeal of
introduction to sundry groups of fashionable ladies. He had earlier seen
specimens of the species in the course of military transitions through
the cities of the lowlands, and he watched them narrowly to detect
if they discerned perchance a difference between him and the men of
education and social station with whom his advancement in the army
had associated him. He did not reflect that they were too well-bred
to reveal any appreciation of such incongruity, but he had never
experienced a more ardent glow of gratification than upon overhearing a
friend's remark: “Girard is great! Anybody would imagine he was used to
all this!”
No strategist was ever more wary. He would not undertake to dance, for
he readily perceived that the gyrations in the ball-room were utterly
dissimilar to the clumsy capering to which he had been accustomed on the
puncheon floor of a mountain cabin. He had the less reason for
regret since he was privileged instead to stroll up and down the
veranda,--“promenade” was the technical term,--a slender hand,
delicately gloved, on the sleeve of his gray uniform, the old
regimentals being _de rigueur_ at these reunions. A white ball-gown,
such as he had never before seen, fashioned of tissue over lustrous
white silk, swayed in diaphanous folds against him, for these were the
days of voluminous draperies; a head of auburn hair elaborately dressed
gleamed in the moonlight near his shoulder. Miss Alicia Duval thought
him tremendously handsome; she adored his record, as she would have
said--unaware how little of it she knew--and she did not so much intend
to flirt as to draw him out, for there was something about him different
from the men of her set, and it stimulated her interest.
“Isn't the moon heavenly!” she observed, gazing at the brilliant orb,
now near the full, swinging in the sky, which became a definite blue in
its light above the massive dark mountains and the misty valley below;
for the building was as near the brink as safety permitted--nearer, the
cautious opined.
“Heavenly? Not more'n it's got a right to be. It's a heavenly body,
ain't it?” he rejoined.
“Oh, how sarcastic!” she exclaimed. “In what school did you acquire your
trenchant style?”
He thought of the tiny district school where he had acquired the very
little he knew of aught, and said nothing, laughing constrainedly in
lieu of response.
The music of the orchestra came, to them from the ball-room, and the
rhythmic beat of dancing feet; the wind lifted her hair gently and
brought to them the fragrance of flowering plants and the pungent
aroma of mint down in the depths of the ravine hard by, where lurked
a chalybeate spring; but for the noisy rout of the dance, and now and
again the flimsy chatter of a passing couple on the piazza, promenading
like themselves, they might have heard the waters of the fountain
rise and bubble and break and sigh as the pulsating impulse beat like
heart-throbs, and perchance on its rocky marge an oread a-singing.
“But you don't answer me,” she pouted with an affectation of
pettishness. “Do you know that you trouble yourself to talk very little,
Captain Girard!”
“I think the more,” he declared.
“Think? Oh, dear me! I didn't know that anybody does anything so
unfashionable nowadays as to _think!_ And what do you think about,
pray?”
“About you!”
And that began it: he was a gallant man, and he had been a brave one. He
was not aware how far he was going on so short an acquaintance, but
his temerity was not displeasing to the lady. She liked his manner of
storming the citadel, and she did not realize that he merely spoke at
random, as best he might. He was in his uniform a splendid and martial
presentment of military youth, and indeed he was much the junior of his
compeers.
“Who are Captain Girard's people, Papa?” she asked Colonel Duval next
morning, as the family party sat at breakfast in quasi seclusion at
one of the small round tables in the crowded dining-room, full of the
chatter of people and the clatter of dishes.
“Girard?” Colonel Duval repeated thoughtfully. “I really don't know. I
have an impression they live somewhere in East Tennessee. I never met
him till just about the end of the war.”
“Oh, Papa! How unsatisfactory you are! You never know anything about
anybody.”
“I should think his people must be very plain,” said Mrs. Duval. Her
social discrimination was extremely acute and in constant practice.
“I don't know why. He is very much of a gentleman,” the Colonel
contended. His heart was warm to-day with much fraternizing, and it was
not kind to brush the bloom off his peach.
“Oh, trifles suggest the fact. He is not at all _au fait_.”
He was, however, experienced in ways of the world unimagined in her
philosophy. The reunion had drawn to a close, ending in a flare of
jollity and tender reminiscence and good-fellowship. The old soldiers
were all gone save a few regular patrons of the hotel, who with their
families were completing their summer sojourn. Captain Girard lingered,
too, fascinated by this glimpse of the frivolous world, hitherto
unimagined, rather than by the incense to his vanity offered by his
facile acceptance as a squire of dames. For the first time in his life
he felt the grinding lack of money. Being a man of resource, he set
about swiftly supplying this need. In the dull days of inaction, when
the armies lay supine and only occasionally the monotony was broken by
the engagement of distant skirmishers or a picket line was driven in on
the main body, he had learned to play a game at cards much in vogue
at that period, though for no greater hazards than grains of corn or
Confederate money, almost as worthless. In the realization now that the
same principles held good with stakes of value, he seemed to enter upon
the possession of a veritable gold mine. The peculiar traits that his
one unique experience of the world had developed--his coolness, his
courage, his discernment of strategic resources--stood him in good
stead, and long after the microcosm of the hotel lay fast asleep the
cards were dealt and play ran high in the little building called the
casino, ostensibly devoted to the milder delights of billiards and
cigars.
Either luck favored him or he had rare discrimination of relative
chances in the run of the cards, or the phenomenally bold hand he played
disconcerted his adversaries, but his almost invariable winning began
to affect injuriously his character. Indeed, he was said to be a rook
of unrivalled rapacity. Colonel Duval was in the frame of mind that his
wife called “bearish” one morning as his family gathered for breakfast
in the limited privacy of their circle about the round table in the
dining-room.
“I want you to avoid that fellow, Alicia,” he growled _sotto voce_, as
he intercepted a bright matutinal smile that the fair Alicia sent as a
morning greeting to Girard, who had just entered and taken his seat at a
distance. “We know nothing under heaven about his people, and he himself
has the repute of being a desperate gambler.”
His wife raised significant eyebrows. “If that is true, why should he
stay in this quiet place?”
Colonel Duval experienced a momentary embarrassment. “Oh, the place is
right enough. He stays, no doubt, because he likes it. You might as well
ask why old Mr. Whitmel stays here.”
“The idea of mentioning a clergyman in this connection!”
“Mr. Whitmel is professionally busy,” cried Alicia. “He told me that he
is studying 'the disintegration of a soul.' I hope it is not _my_ soul.”
The phrase probably interested Alicia in her idleness, for she was
certainly actuated by no view of a moral uplift in the character of
Girard, the handsome gambler. She did not recognize a subtle cruelty in
her system of universal fascination, but her vanity demanded constant
tribute, and she was peculiarly absorbed in the effort to bring to her
feet this man of iron, her knight in armor, as she was wont to call him,
to control him with her influence, to bend this unmalleable material
like the proverbial wax in her hands. She had great faith in the
coercive power of her hazel eyes, and she brought their batteries to
bear on Girard on the first occasion when she had him at her mercy.
“I have heard something about you which is very painful,” she said one
day as they sat together beside the chalybeate spring. The crag, all
discolored in rust-red streaks by the dripping of the mineral water
through its interstices, towered above their heads; the ferns, exquisite
and of subtle fragrance, tufted the niches; the trees were close about
them, and below, on the precipitous slope; sometimes the lush green
boughs parted, revealing a distant landscape of azure ranges, far
stretching against a sky as blue, and in the valley of the foreground
long bars of golden hue, where fields, denuded of the harvested wheat,
took the sun. Girard lounged, languid, taciturn, and quiescent as ever,
on the opposite side of the circular rock basin wherein the clear water
fell.
“I will tell you what it is,” Alicia went on, after a pause, for, though
he looked attentive, he gave not even a glance of question. “I hear that
you gamble.”
His gaze concentrated as he knitted his brows, but he said nothing.
She pulled her broad straw hat forward on her auburn hair and readjusted
the flounces of her white morning dress, saying while thus engaged,
“Yes, indeed; that you gamble--like--like fury!”
“Why, don't you know that's against the law?” he demanded unexpectedly.
“I know that it is very wrong and sinful,” she said solemnly.
“Thanky. I'll put that in my pipe an' smoke it! I'm very wrong and
sinful, I am given to understand.”
“Why, I didn't mean _you_ so much,” she faltered, perturbed by this
sudden charge of the enemy. “I meant the practice.”
“Oh, I know that I'm a sinner in more ways 'n one; but I _didn't_ know
that you were a lady-preacher.”
“You mean that it is none of my business----”
“You ought to be so glad of that,” he retorted.
She maintained a silence that might have suggested a degree of offended
pride, and she was truly humiliated that her vaunted hazel eyes had
so signally failed to work their wonted charm. As they strolled back
together up the steep path to the hotel he seemed either unobservant
or uncaring, so impassive were his manners, and she was aware that her
demonstration had resulted in giving him information which he could
not otherwise have gained. Later, she was nettled to notice that he had
utilized it in prosaic fashion, for that night no lights flared late
from the casino.
The gamesters, informed that rumors were a-wing, had betaken themselves
elsewhere. A small smoking-room in the hotel proper seemed less
obnoxious to suspicion in the depleted condition of the guest-list,
since autumn was now approaching. After eleven o'clock the coterie would
scarcely be subject to interruption, and there they gathered as the hour
waxed late. The cards were duly dealt, the draw was on, when suddenly
the door opened and old Mr. Whitmel, his favorite meerschaum in his
hand and a sheaf of newly arrived journals, entered with the evident
intention of a prolonged stay. A “standpatter” seemed hardly so assured
as before he encountered the dim, surprised gaze, but the old clergyman
was esteemed a good sort, and he ventured on a reminder:
“You have been here before, haven't you, Mr. Whitmel? Saw a deal of this
sort of thing in the army!” And he rattled the chips significantly.
“Used to see that sort of thing in the army? Yes, yes, indeed--more than
I wanted to see--very much more!”
Colonel Duval took schooling much amiss. He turned up his florid face
with its auburn mustachios and Burnside whiskers from its bending
over the cards and showed a broad arch of glittering white teeth in an
ungenial laugh.
“Remember, Mr. Whitmel, at that fight we had in the hills not far from
the Ocoee, how you rebuked two artillerymen for swearing? Something was
wrong with the vent-hole of the piece, and one of the gunners asked what
business you had with their language; and you said, 'I am a minister of
the Lord,' and the fellow gave it back very patly, 'I ain't carin' ef
you was a minister of state!' Then you said, 'No, you would doubtless
swear in the presence of an angel.' And the fellow with the sponge-staff
declared, 'Say, Mister, ef you are _that_, you are an angel off your
feed certain'--you were worn to skin and bone then--'an' the rations of
manna must be ez skimpy in heaven ez the rations o' bacon down here in
Dixie.' Ha, ha, ha!”
Mr. Whitmel had taken a seat in an easy-chair; he had struck a match and
was composedly kindling his pipe. “I felt nearer a higher communion that
day than often since,” he said.
The coterie of gentlemen looked at one another in disconsolate
uncertainty, and one turned his cards face downward and laid them
resignedly on the table. The party was evidently in for one of the old
chaplain's long stories, with a few words by way of application, and
there was no decent opportunity to demur. They were the intruders in the
smoking-room--not he! Here with his pipe and his paper, he was within
the accommodation assigned him. They must hie them back to the casino to
be at ease, and this would they do when he should reach the end of his
story--if indeed it had an end.
For with the prolixity of the eye-witness he was detailing the points of
the battle; what troops were engaged; how the flank was turned; how
the reserve was delayed; how the guns were planted; how the cavalry was
ordered to charge over impracticable ground, and how in consequence he
saw a squadron literally annihilated; how for hours after the fight
was over a sergeant of the Dovinger Rangers pervaded the field with the
guidon, calling on them by name to rally.
“And, gentlemen,” he continued, turning in his chair, the fire kindling
in his eyes as it died in the bowl of his pipe, “not one man responded,
for none could rise from that horrid slaughter.”
There was a moment of tense silence. Then, “Back and forth the guidon
flaunted, and the rain began to fall, and the night came on, and still
the dusk echoed the cry, 'Guide right! Dovinger's Rangers! Rally on the
guidon! Rally on the reserve!'”
The old chaplain stuck his pipe into his mouth and brought it aflare
again with two or three strong indrawing respirations.
“The surgeons said it would end in a case of dementia. I was sorry, for
I had seen much that day that hurt me, and more than all was this. For
I could picture that valiant young spirit going through life, spared by
God's mercy; and it seemed to me that when the enemy, in whatever guise,
should press him hard and defeat should bear him down he would have the
courage and the ardor and the moral strength to rally on the reserve. He
would rally on the guidon.”
The old chaplain pulled strongly at his pipe, setting the blue wreaths
of smoke circling about his head. “I should know that young fellow again
wherever I might chance to see him.”
“Did he collapse at last and verify the surgeon's prophecy!” asked the
dealer.
“Well,” drawled the chaplain, with a little flattered laugh, “I myself
took care of that Many years ago I studied medicine, before I was
favored with a higher call. Neurology was my line. When the boy's horse
sank exhausted beneath him, and he fell into a sleep or stupor on
the carcass, I removed the object of the obsession. I slipped the
flag-staff, guidon and all, into a crevice of the rocks, where it will
remain till the end of our time, be sure.” He laughed in relish of his
arbitrary intervention.
“There was a fine healthy clamor in camp the next morning about the lost
guidon. But I did the soldier no damage, for he had been promoted to a
lieutenancy for special gallantry on the field, and he therefore could
no longer have carried the guidon if he had had both the flag and the
troop.”
The stories of camp and field, thus begun, swiftly multiplied; they wore
the fire to embers, and the oil sank low in the lamps. There was a chill
sense of dawn in the blue-gray mist when the group, separating at last,
issued upon the veranda; the moon, so long hovering over the sombre
massive mountains, was slowly sinking in the west.
Among the shadows of the pillars a tall, martial figure lurked in ambush
for the old chaplain, as he rounded the corner of the veranda on his way
to his own quarters.
“Pa'son,” a husky voice spoke from out the dim comminglement of the
mist and the moon, “'twas me that carried that guidon in Dovinger 's
Bangers.”
“I know it,” declared the triumphant tactician. “_I_ recognized you as
soon as I saw you again.”
“I 'm through with this,” the young mountaineer exclaimed abruptly,
with an eloquent gesture of renunciation toward the deserted card-table
visible through the vista of open doors. “I'm going home--to work! I'll
never forget that I was marker in Dovinger's Rangers. I carried the
guidon! And that last day I marked their way to glory! There's nothing
left of them except honor and duty, but I'll rally on that, Chaplain.
Never fear for me, again. I'll rally on the reserve!”
End of the Project Gutenberg EBook of The Lost Guidon, by
Charles Egbert Craddock (AKA Mary Noailles Murfree)
*** END OF THIS PROJECT GUTENBERG EBOOK THE LOST GUIDON ***
***** This file should be named 23555-0.txt or 23555-0.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/3/5/5/23555/
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase “Project Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
“Plain Vanilla ASCII” or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original “Plain Vanilla ASCII” or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, “Information about donations to
the Project Gutenberg Literary Archive Foundation.”
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
“Defects,” such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
The Lost Guidon - 1911
Subjects:
Download Formats:
Excerpt
The Project Gutenberg EBook of The Lost Guidon, by
Charles Egbert Craddock (AKA Mary Noailles Murfree)
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Author: Charles Egbert Craddock (AKA Mary Noailles Murfree)
Release Date: November 19, 2007 [EBook #23555]
Last...
Read the Full Text
— End of The Lost Guidon - 1911 —
Book Information
- Title
- The Lost Guidon - 1911
- Author(s)
- Craddock, Charles Egbert
- Language
- English
- Type
- Text
- Release Date
- November 19, 2007
- Word Count
- 8,309 words
- Library of Congress Classification
- PS
- Bookshelves
- US Civil War, Browsing: History - American, Browsing: Literature, Browsing: Fiction
- Rights
- Public domain in the USA.
Related Books
Famous stories from foreign countries
English
494h 26m read
The incredible slingshot bombs
by Williams, Robert Moore
English
96h 4m read
The eater of souls
by Kuttner, Henry
English
22h 19m read
Maehoe
by Leinster, Murray
English
115h 53m read
The air splasher
by Watkins, Richard Howells
English
138h 53m read
Hooking a sky ride
by Morrissey, Dan
English
37h 54m read