Index of the Project Gutenberg Works of Arnold Bennett

The Project Gutenberg EBook of Index of The Project Gutenberg Works of Arnold Bennett, by Arnold Bennett This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Index of The Project Gutenberg Works of Arnold Bennett Author: Arnold Bennett Editor: David Widger Release Date: October 11, 2018 [EBook #58075] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK INDEX OF PG WORKS OF ARNOLD BENNETT *** Produced by David Widger INDEX OF THE PROJECT GUTENBERG WORKS OF ARNOLD BENNETT Compiled by David Widger CONTENTS ## THESE TWAIN ## DENRY THE AUDACIOUS ## THE OLD ADAM ## LILIAN ## HOW TO LIVE ON 24 HOURS A DAY ## THE GRAND BABYLON HOTEL ## LITERARY TASTE ## THE GRIM SMILE OF THE FIVE TOWNS ## THE OLD WIVES' TALE ## JOURNALISM FOR WOMEN ## HILDA LESSWAYS ## A TALE OF THESE DAYS ## SACRED AND PROFANE LOVE ## OVER THERE ## THE REGENT ## THE ROLL-CALL ## THE PRETTY LADY THE TITLE ## THE AUTHOR'S CRAFT ## MR. PROHACK ## HELEN WITH THE HIGH HAND JUDITH ## THE HUMAN MACHINE ## THE PRICE OF LOVE ## THE CARD ## MATADOR OF THE FIVE TOWNS, et al ## TALES OF THE FIVE TOWNS ## THE PLAIN MAN AND HIS WIFE ## LEONORA ## LITERARY TASTE HOW TO FORM IT THE GREAT ADVENTURE ## THE LION'S SHARE ## THE FEAST OF ST. FRIEND ## YOUR UNITED STATES ## HUGO ## BOOKS AND PERSONS ## THE GHOST CLAYHANGER ## MENTAL EFFICIENCY ## A GREAT MAN ## ANNA OF THE FIVE TOWNS THE HONEYMOON A MAN FROM THE NORTH ## THE LOG OF THE VELSA ## TERESA OF WATLING STREET ## THE CITY OF PLEASURE ## PARIS NIGHTS TABLES OF CONTENTS OF VOLUMES THESE TWAIN BY ARNOLD BENNETT 1915 CONTENTS BOOK I THE WOMAN IN THE HOUSE CHAPTER THE HOUSE HILDA ON THE STAIRS ATTACK AND REPULSE THE WORD TERTIUS INGPEN HUSBAND AND WIFE THE TRUCE THE FAMILY AT HOME THE WEEK-END THE ORGREAVE CALAMITY BOOK II THE PAST LITHOGRAPHY DARTMOOR THE DEPARTURE TAVY MANSION THE PRISON THE GHOST BOOK III EQUILIBRIUM GEORGE'S EYES AUNTIE HAMPS SENTENCED DEATH AND BURIAL THE DISCOVERY THE DEEDS OF DENRY THE AUDACIOUS By Arnold Bennett 1910 CONTENTS CHAPTER The Dance The Widow Hullins's House The Pantechnicon Wrecking of a Life The Mercantile Marine His Burglary The Rescuer of Dames Raising a Wigwam The Great Newspaper War His Infamy In the Alps The Supreme Honour THE OLD ADAM A STORY OF ADVENTURE By Arnold Bennett 1913 CONTENTS PART I CHAPTER Dog-Bite The Bank-Note Wilkins's Entry Into The Theatrical World Mr. Sachs Talks Lord Woldo And Lady Woldo PART II Corner-stone Dealing with Elsie The First Night Isabel LILIAN By Arnold Bennett 1922 CONTENTS. PART I The Girl Alone Early Years Advice to the Young Beauty The Clubman The Devotee The Telephone PART II The Suicide The Malady Shut The Vizier The Martyr The Invitation The Avowal Philosophy of the Grey-Haired PART III In the Hotel The Big Yacht The Casino Chemin de fer In the Hills The Benefactress The Doctor Marriage The Widow The Wreath PART IV The Return Miss Grig The Lieutenant The New Employer Layette HOW TO LIVE ON TWENTY-FOUR HOURS A DAY by Arnold Bennett CONTENTS PREFACE I THE DAILY MIRACLE II THE DESIRE TO EXCEED ONE'S PROGRAMME III PRECAUTIONS BEFORE BEGINNING IV THE CAUSE OF THE TROUBLE V TENNIS AND THE IMMORTAL SOUL VI REMEMBER HUMAN NATURE VII CONTROLLING THE MIND VIII THE REFLECTIVE MOOD IX INTEREST IN THE ARTS X NOTHING IN LIFE IS HUMDRUM XI SERIOUS READING XII DANGERS TO AVOID THE GRAND BABYLON HÔTEL By Arnold Bennett T. Racksole & Daughter CONTENTS Chapter One. THE MILLIONAIRE AND THE WAITER Chapter Two. HOW MR RACKSOLE OBTAINED HIS DINNER Chapter Three. AT THREE A.M. Chapter Four. ENTRANCE OF THE PRINCE Chapter Five. WHAT OCCURRED TO REGINALD DIMMOCK Chapter Six. IN THE GOLD ROOM Chapter Seven. NELLA AND THE PRINCE Chapter Eight. ARRIVAL AND DEPARTURE OF THE BARONESS Chapter Nine. TWO WOMEN AND THE REVOLVER Chapter Ten. AT SEA Chapter Eleven. THE COURT PAWNBROKER Chapter Twelve. ROCCO AND ROOM NO. 111 Chapter Thirteen. IN THE STATE BEDROOM Chapter Fourteen. ROCCO ANSWERS SOME QUESTIONS Chapter Fifteen. END OF THE YACHT ADVENTURE Chapter Sixteen. THE WOMAN WITH THE RED HAT Chapter Seventeen. THE RELEASE OF PRINCE EUGEN Chapter Eighteen. IN THE NIGHT-TIME Chapter Nineteen. ROYALTY AT THE GRAND BABYLON Chapter Twenty. MR SAMPSON LEVI BIDS PRINCE EUGEN GOOD MORNING Chapter Twenty-One. THE RETURN OF FÉLIX BABYLON Chapter Twenty-Two. IN THE WINE CELLARS OF THE GRAND BABYLON Chapter Twenty-Three. FURTHER EVENTS IN THE CELLAR Chapter Twenty-Four. THE BOTTLE OF WINE Chapter Twenty-Five. THE STEAM LAUNCH Chapter Twenty-Six. THE NIGHT CHASE AND THE MUDLARK Chapter Twenty-Seven. THE CONFESSION OF MR TOM JACKSON Chapter Twenty-Eight. THE STATE BEDROOM ONCE MORE Chapter Twenty-Nine. THEODORE IS CALLED TO THE RESCUE Chapter Thirty. CONCLUSION LITERARY TASTE How To Form It With Detailed Instructions For Collecting A Complete Library Of English Literature By Arnold Bennett CONTENTS Chapter I — THE AIM Chapter II — YOUR PARTICULAR CASE Chapter III — WHY A CLASSIC IS A CLASSIC Chapter IV — WHERE TO BEGIN Chapter V — HOW TO READ A CLASSIC Chapter VI — THE QUESTION OF STYLE Chapter VII — WRESTLING WITH AN AUTHOR Chapter VIII — SYSTEM IN READING Chapter IX — VERSE Chapter X — BROAD COUNSELS Chapter XI — AN ENGLISH LIBRARY: PERIOD I Chapter XII — AN ENGLISH LIBRARY: PERIOD II Chapter XIII — AN ENGLISH LIBRARY: PERIOD III Chapter XIV — MENTAL STOCKTAKING THE GRIM SMILE OF THE FIVE TOWNS By Arnold Bennett CONTENTS The Lion's Share Baby's Bath The Silent Brothers The Nineteenth Hat Vera's First Christmas Adventure The Murder of the Mandarin Vera's Second Christmas Adventure The Burglary News of the Engagement Beginning the New Year From One Generation to Another The Death of Simon Fuge In a New Bottle THE OLD WIVES’ TALE By Arnold Bennett CONTENTS PREFACE TO THIS EDITION BOOK I — MRS. BAINES CHAPTER I — THE SQUARE CHAPTER II — THE TOOTH CHAPTER III — A BATTLE CHAPTER IV — ELEPHANT CHAPTER V — THE TRAVELLER CHAPTER VI — ESCAPADE CHAPTER VII — A DEFEAT BOOK II — CONSTANCE CHAPTER I — REVOLUTION CHAPTER II — CHRISTMAS AND THE FUTURE CHAPTER III — CYRIL CHAPTER IV — CRIME CHAPTER V — ANOTHER CRIME CHAPTER VI — THE WIDOW CHAPTER VII — BRICKS AND MORTAR CHAPTER VIII — THE PROUDEST MOTHER BOOK III — SOPHIA CHAPTER I — THE ELOPEMENT CHAPTER II — SUPPER CHAPTER III — AN AMBITION SATISFIED CHAPTER IV — A CRISIS FOR GERALD CHAPTER V — FEVER CHAPTER VI — THE SIEGE CHAPTER VII — SUCCESS BOOK IV — WHAT LIFE IS CHAPTER I — FRENSHAM’S CHAPTER II — THE MEETING CHAPTER III — TOWARDS HOTEL LIFE CHAPTER IV — END OF SOPHIA CHAPTER V — END OF CONSTANCE JOURNALISM FOR WOMEN A Practical Guide By E. A. Bennett Contents The Secret Significance of Journalism Imperfections of the existing Woman-Journalist The Roads towards Journalism The Aspirant Style The Outside Contributor The Search for Copy The Art of Corresponding with an Editor Notes on the Leading Types of Papers "Woman's Sphere" in Journalism Conclusion HILDA LESSWAYS By Arnold Bennett 1911 CONTENTS BOOK I HER START IN LIFE I AN EVENT IN MR. SKELLORN'S LIFE II THE END OF THE SCENE III MR. CANNON IV DOMESTICITY INVADED V MRS. LESSWAYS' SHREWDNESS VI VICTOR HUGO AND ISAAC PITMAN VII THE EDITORIAL SECRETARY VIII JANET ORGREAVE IX IN THE STREET X MISS GAILEY IN DECLENSION XI DISILLUSION XII THE TELEGRAM XIII HILDA'S WORLD XIV TO LONDON BOOK II HER RECOVERY I SIN II THE LITTLE ROOM III JOURNEY TO BLEAKRIDGE IV WITH THE ORGREAVES V EDWIN CLAYHANGER VI IN THE GARDEN VII THE NEXT MEETING BOOK III HER BURDEN I HILDA INDISPENSABLE II SARAH'S BENEFACTOR III AT BRIGHTON IV THE SEA BOOK IV HER FALL I THE GOING CONCERN II THE UNKNOWN ADVENTURE III FLORRIE AGAIN BOOK V HER DELIVERANCE I LOUISA UNCONTROLLED II SOME SECRET HISTORY BOOK VI HER PUNISHMENT I EVENING AT BLEAKRIDGE II A RENDEZVOUS III AT THE WORKS IV THE CALL FROM BRIGHTON V THURSDAY AFTERNOON VI MISCHANCE BURIED ALIVE A Tale of These Days BY ARNOLD BENNETT 1950 CONTENTS I. THE PUCE DRESSING-GOWN II. A PAIL III. THE PHOTOGRAPH IV. A SCOOP V. ALICE ON HOTELS VI. A PUTNEY MORNING VII. THE CONFESSION VIII. AN INVASION IX. A GLOSSY MALE X. THE SECRET XI. AN ESCAPE XII. ALICE'S PERFORMANCES SACRED AND PROFANE LOVE A Novel In Three Episodes By Arnold Bennett 1905 CONTENTS SACRED AND PROFANE LOVE PART I — IN THE NIGHT I II III IV V PART II — THREE HUMAN HEARTS I II III IV V VI PART III — THE VICTORY I II III IV V VI OVER THERE War Scenes on the Western Front By Arnold Bennett CONTENTS I The Zone Of Paris II On The French Front III Ruins IV At Grips V The British Lines VI The Unique City THE REGENT A Five Towns Story Of Adventure In London By Arnold Bennett 1913 CONTENTS PART I CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI PART II CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X THE ROLL-CALL By Arnold Bennett CONTENTS PART I CHAP. I. THE NEW LODGING II. MARGUERITE III. THE CHARWOMAN IV. THE LUNCHEON V. THE TEA VI. THE DINNER VII. THE RUPTURE VIII. INSPIRATION IX. COMPETITION PART II I. THE TRIUMPH II. THE ROLL-CALL III. IN THE MACHINE [2] THE PRETTY LADY A Novel by Arnold Bennett CONTENTS Chapter 1. THE PROMENADE Chapter 2. THE POWER Chapter 3. THE FLAT Chapter 4. CONFIDENCE Chapter 5. OSTEND Chapter 6. THE ALBANY Chapter 7. FOR THE EMPIRE Chapter 8. BOOTS Chapter 9. THE CLUB Chapter 10. THE MISSION Chapter 11. THE TELEGRAM Chapter 12. RENDEZVOUS Chapter 13. IN COMMITTEE Chapter 14. QUEEN Chapter 15. EVENING OUT Chapter 16 THE VIRGIN Chapter 17. SUNDAY AFTERNOON Chapter 18. THE MYSTIC Chapter 19. THE VISIT Chapter 20. MASCOT Chapter 21. THE LEAVE-TRAIN [6] Chapter 22. GETTING ON WITH THE WAR Chapter 23. THE CALL Chapter 24. THE SOLDIER Chapter 25. THE RING Chapter 26. THE RETURN Chapter 27. THE CLYDE Chapter 28. SALOME Chapter 29. THE STREETS Chapter 30. THE CHILD'S ARM Chapter 31. "ROMANCE" Chapter 32. MRS. BRAIDING Chapter 33. THE ROOF Chapter 34. IN THE BOUDOIR Chapter 35. QUEEN DEAD Chapter 36. COLLAPSE Chapter 37. THE INVISIBLE POWERS Chapter 38. THE VICTORY Chapter 39. IDYLL Chapter 40. THE WINDOW Chapter 41. THE ENVOY THE AUTHOR'S CRAFT By Arnold Bennett CONTENTS PART I. SEEING LIFE PART II. WRITING NOVELS PART III. WRITING PLAYS PART IV. THE ARTIST AND THE PUBLIC MR. PROHACK By Arnold Bennett CONTENTS CHAPTER I THE NEW POOR II FROM THE DEAD III THE LAW IV EVE'S HEADACHE V CHARLIE VI SISSIE VII THE SYMPATHETIC QUACK VIII SISSIE'S BUSINESS IX COLLISION X THE THEORY OF IDLENESS XI NEURASTHENIA CURED XII THE PRACTICE OF IDLENESS XIII FURTHER IDLENESS XIV END OF AN IDLE DAY XV THE HEAVY FATHER XVI TRANSFER OF MIMI XVII ROMANCE XVIII A HOMELESS NIGHT XIX THE RECEPTION XX THE SILENT TOWER XXI EVE'S MARTYRDOM XXII MR. PROHACK'S TRIUMPH XXIII THE YACHT HELEN WITH THE HIGH HAND by Arnold Bennett CONTENTS CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII THE HUMAN MACHINE By Arnold Bennett CONTENTS TAKING ONESELF FOR GRANTED AMATEURS IN THE ART OF LIVING THE BRAIN AS A GENTLEMAN-AT-LARGE THE FIRST PRACTICAL STEP HABIT-FORMING BY CONCENTRATION LORD OVER THE NODDLE WHAT 'LIVING' CHIEFLY IS THE DAILY FRICTION 'FIRE!' MISCHIEVOUSLY OVERWORKING IT AN INTERLUDE AN INTEREST IN LIFE SUCCESS AND FAILURE A MAN AND HIS ENVIRONMENT L.S.D. REASON, REASON! THE PRICE OF LOVE A TALE By Arnold Bennett 1914 CONTENTS CHAPTER I. MONEY IN THE HOUSE CHAPTER II. LOUIS' DISCOVERY CHAPTER III. THE FEAST CHAPTER IV. IN THE NIGHT CHAPTER V. NEWS OF THE NIGHT CHAPTER VI. THEORIES OF THE THEFT CHAPTER VII. THE CINEMA CHAPTER VIII. END AND BEGINNING CHAPTER IX. THE MARRIED WOMAN CHAPTER X. THE CHASM CHAPTER XI. JULIAN'S DOCUMENT CHAPTER XII. RUNAWAY HORSES CHAPTER XIII. DEAD-LOCK CHAPTER XIV. THE MARKET CHAPTER XV. THE CHANGED MAN CHAPTER XVI. THE LETTER CHAPTER XVII. IN THE MONASTERY CHAPTER XVIII. MRS. TAMS'S STRANGE BEHAVIOUR CHAPTER XIX. RACHEL AND MR. HORROCLEAVE The Card Arnold Bennett CONTENTS CHAP. PAGE I. THE DANCE 7 II. THE WIDOW HULLINS'S HOUSE 27 III. THE PANTECHNICON 48 IV. WRECKING OF A LIFE 71 V. THE MERCANTILE MARINE 89 VI. HIS BURGLARY 112 VII. THE RESCUER OF DAMES 132 VIII. RAISING A WIGWAM 153 IX. THE GREAT NEWSPAPER WAR 177 X. HIS INFAMY 196 XI. IN THE ALPS 218 XII. THE SUPREME HONOUR 240 THE MATADOR OF THE FIVE TOWNS AND OTHER STORIES By Arnold Bennett CONTENTS TRAGIC THE MATADOR OF THE FIVE TOWNS MIMI THE SUPREME ILLUSION THE LETTER AND THE LIE THE GLIMPSE FROLIC JOCK-AT-A-VENTURE THE HEROISM OF THOMAS CHADWICK UNDER THE CLOCK THREE EPISODES IN THE LIFE OF MR COWLISHAW, DENTIST CATCHING THE TRAIN THE WIDOW OF THE BALCONY THE CAT AND CUPID THE FORTUNE-TELLER THE LONG-LOST UNCLE THE TIGHT HAND WHY THE CLOCK STOPPED HOT POTATOES HALF-A-SOVEREIGN THE BLUE SUIT THE TIGER AND THE BABY THE REVOLVER AN UNFAIR ADVANTAGE TALES OF THE FIVE TOWNS By Arnold Bennett CONTENTS PART I AT HOME HIS WORSHIP THE GOOSEDRIVER THE ELIXIR OF YOUTH MARY WITH THE HIGH HAND THE DOG A FEUD PHANTOM TIDDY-FOL-LOL THE IDIOT PART II ABROAD THE HUNGARIAN RHAPSODY THE SISTERS QITA NOCTURNE AT THE MAJESTIC CLARICE OF THE AUTUMN CONCERTS A LETTER HOME THE PLAIN MAN AND HIS WIFE By Arnold Bennett CONTENTS THE PLAIN MAN AND HIS WIFE I - ALL MEANS AND NO END II - THE TASTE FOR PLEASURE III - THE RISKS OF LIFE IV - IN HER PLACE LEONORA A NOVEL By Arnold Bennett CONTENTS II. MESHACH AND HANNAH IV. AN INTIMACY VI. COMIC OPERA VIII. THE DANCE X. IN THE GARDEN XII. IN LONDON LITERARY TASTE HOW TO FORM IT WITH DETAILED INSTRUCTIONS FOR COLLECTING A COMPLETE LIBRARY OF ENGLISH LITERATURE By Arnold Bennett [pg v] CONTENTS CHAPTER I THE AIM 1 CHAPTER II YOUR PARTICULAR CASE 9 CHAPTER III WHY A CLASSIC IS A CLASSIC 18 CHAPTER IV WHERE TO BEGIN 26 [pg vi] CHAPTER V HOW TO READ A CLASSIC 34 CHAPTER VI THE QUESTION OF STYLE 43 CHAPTER VII WRESTLING WITH AN AUTHOR 59 CHAPTER VIII SYSTEM IN READING 68 CHAPTER IX VERSE 76 CHAPTER X BROAD COUNSELS 91 [pg vii] CHAPTER XI AN ENGLISH LIBRARY: PERIOD I 99 CHAPTER XII AN ENGLISH LIBRARY: PERIOD II 108 CHAPTER XIII AN ENGLISH LIBRARY: PERIOD III 114 CHAPTER XIV MENTAL STOCKTAKING 127 THE LION'S SHARE By Arnold Bennett 1916 CONTENTS CHAPTER 1. MISS INGATE, AND THE YACHT 2. THE THIEF’S PLAN WRECKED 3. THE LEGACY 4. MR. FOULGER 5. THE DEAD HAND 6. THE YOUNG WIDOW 7. THE CIGARETTE GIRL 8. EXPLOITATION OF WIDOWHOOD 9. LIFE IN PARIS 10. FANCY DRESS 11. A POLITICAL REFUGEE 12. WIDOWHOOD IN THE STUDIO 13. THE SWOON 14. MISS INGATE POINTS OUT THE DOOR 15. THE RIGHT BANK 16. ROBES 17. SOIRÉE 18. A DECISION 19. THE BOUDOIR 20. PAGET GARDENS 21. JANE 22. THE DETECTIVE 23. THE BLUE CITY 24. THE SPATTS 25. THE MUTE 26. NOCTURNE 27. IN THE GARDEN 28. ENCOUNTER 29. FLIGHT 30. ARIADNE 31. THE NOSTRUM 32. BY THE BINNACLE 33. AGUILAR’S DOUBLE LIFE 34. THE TANK-ROOM 35. THE THIRD SORT OF WOMAN 36. IN THE DINGHY 37. AFLOAT 38. IN THE UNIVERSE 39. THE IMMINENT DRIVE 40. GENIUS AT BAY 41. FINANCIAL NEWS 42. INTERVAL 43. ENTR’ACTE 44. END OF THE CONCERT 45. STRANGE RESULT OF A QUARREL 46. AN EPILOGUE THE FEAST OF ST. FRIEND A CHRISTMAS BOOK BY ARNOLD BENNETT 1911 CONTENTS: THE FACT THE REASON THE SOLSTICE AND GOODWILL THE APPOSITENESS OF CHRISTMAS DEFENCE OF FEASTING TO REVITALIZE THE FESTIVAL THE GIFT OF ONESELF THE FEAST OF ST. FRIEND THE REACTION ON THE LAST DAY OF THE YEAR YOUR UNITED STATES IMPRESSIONS OF A FIRST VISIT By Arnold Bennett Illustrated By Frank Craig 1912 CONTENTS I. THE FIRST NIGHT II. STREETS III. THE CAPITOL AND OTHER SITES IV. SOME ORGANIZATIONS V. TRANSIT AND HOTELS VI. SPORT AND THE THEATER VII. EDUCATION AND ART VIII. CITIZENS ILLUSTRATIONS THE GLORY OF FIFTH AVENUE INSPIRES EVEN THOSE ON FOOT DISEMBARKING AT NEW YORK THE DOWN-TOWN BROADWAY OF CROWDED SKY-SCRAPERS BROADWAY ON ELECTION NIGHT A BUSY DAY ON THE CURB MARKET A WELL-KNOWN WALL STREET CHARACTER THE SKY-SCRAPERS OF LOWER NEW YORK AT NIGHT A WINTER MORNING IN LINCOLN PARK, CHICAGO A RIVER-FRONT HARMONY IN BLACK AND WHITE—CHICAGO THE APPROACH TO THE CAPITOL ON PENNSYLVANIA AVENUE ON THE STEPS OF THE PORTICO—THE CAPITOL UNDER THE GREAT DOME OF THE CAPITOL THE PROMENADE—CITY POINT, BOSTON THE BOSTON YACHT CLUB—OVERLOOKING THE HARBOR AT MORN POURING CONFIDENCES INTO HER TELEPHONE LUNCHEON IN A DOWN-TOWN CLUB A YOUNG WOMAN WAS JUST FINISHING A FLORID SONG ABSORBED IN THAT WONDROUS SATISFYING HOBBY IN THE PARLOR-CAR BREAKFAST EN ROUTE IN THE SUBWAY ONE ENCOUNTERS AN INSISTENT, HURRYING STREAM THE STRAP-HANGERS THE PASSENGERS ON THE ELEVATED AT NIGHT ARE ODDLY ASSORTED THE RESTAURANT OF A GREAT HOTEL IS BUT ONE FEATURE OF ITS SPLENDOR THE HORSE-SHOWS ARE WONDROUS DISPLAYS OF FASHION THE SENSE OF A MIGHTY AND CULMINATING EVENT SHARPENED THE AIR THE VICTORS LEAVING THE FIELD UNIVERSITY BUILDINGS—UNIVERSITY OF PENNSYLVANIA MITCHELL TOWER AND HUTCHINSON COMMONS—UNIVERSITY OF CHICAGO PART OF THE DAILY ROUND OF THE INDOMITABLE NEW YORK WOMAN THE ASTOUNDING POPULOUSNESS OF THE EAST SIDE HUGO A FANTASIA ON MODERN THEMES By Arnold Bennett CONTENTS PART I THE SEALED ROOMS I. THE DOME II. THE ESTABLISHMENT III. HUGO EXPLAINS HIMSELF IV. CAMILLA V. A STORY AND A DISAPPEARANCE VI. A LAPSE FROM AN IDEAL VII. POSSIBLE ESCAPE OF SECRETS VIII. ORANGE-BLOSSOM IX. 'WHICH?' X. THE COFFIN PART II THE PHONOGRAPH XI. SALE XII. SAFE DEPOSIT XIII. MR. GALPIN XIV. TEA XV. RAVENGAR IN CAPTIVITY XVI. BURGLARS XVII. POLYCARP AND HAWKE'S MAN XVIII. HUSBAND AND WIFE XIX. WHAT THE PHONOGRAPH SAID PART III THE TOMB XX. 'ARE YOU THERE?' XXI. SUICIDE XXII. DARCY XXIII. FIRST TRIUMPH OF SIMON XXIV. THE LODGING-HOUSE XXV. CHLOROFORM XXVI. SECOND TRIUMPH OF SIMON XXVII. THE CEMETERY XXVIII. BEAUTY BOOKS AND PERSONS BEING COMMENTS ON A PAST EPOCH 1908-1911 By Arnold Bennett CONTENTS PREFATORY NOTE 1908 WILFRED WHITTEN'S PROSE UGLINESS IN FICTION LETTERS OF QUEEN VICTORIA FRENCH PUBLISHERS WORDSWORTH'S SINGLE LINES NOVELISTS AND AGENTS THE NOVEL OF THE SEASON GERMAN EXPANSION THE BOOK-BUYER JOSEPH CONRAD & THE ATHENÆUM THE PROFESSORS MRS. HUMPHRY WARD'S HEROINES W.W. JACOBS AND ARISTOPHANES KENNETH GRAHAME ANATOLE FRANCE INTIMATIONS OF IMMORTALITY MALLARMÉ, BAZIN, SWINBURNE THE RUINED SEASON 1909 ECCE HOMO HENRY OSPOVAT FRENCH AND BRITISH ACADEMIES POE AND THE SHORT STORY MIDDLE-CLASS THE POTENTIAL PUBLIC H.G. WELLS TCHEHKOFF THE SURREY LABOURER SWINBURNE THE SEVENPENNIES MEREDITH ST. JOHN HANKIN UNCLEAN BOOKS LOVE POETRY TROLLOPE'S METHODS CHESTERTON AND LUCAS OFFICIAL RECOGNITION OF POETRY ARTISTS AND CRITICS RUDYARD KIPLING CENSORSHIP BY THE LIBRARIES 1910 CENSORSHIP BY THE LIBRARIES BRIEUX C.E. MONTAGUE PUBLISHERS AND AUTHORS TOURGENIEV AND DOSTOIEVSKY JOHN GALSWORTHY SUPPRESSIONS IN "DE PROFUNDIS" HOLIDAY READING THE BRITISH ACADEMY OF LETTERS UNFINISHED PERUSALS MR. A.C. BENSON THE LITERARY PERIODICAL THE LENGTH OF NOVELS ARTISTS AND MONEY HENRI BECQUE HENRY JAMES ENGLISH LITERARY CRITICISM MRS. ELINOR GLYN W.H. HUDSON NEO-IMPRESSIONISM AND LITERATURE 1911 BOOKS OF THE YEAR "THE NEW MACHIAVELLI" SUCCESS IN JOURNALISM MARGUERITE AUDOUX JOHN MASEFIELD LECTURES AND STATE PERFORMANCES A PLAY OF TCHEHKOFF'S SEA AND SLAUGHTER A BOOK IN A RAILWAY ACCIDENT "FICTION" AND "LITERATURE" INDEX THE GHOST A Modern Fantasy By Arnold Bennett 1911 CONTENTS CHAPTER PAGE I. My Splendid Cousin 1 II. At The Opera 15 III. The Cry of Alresca 37 IV. Rosa's Summons 53 V. The Dagger and the Man 69 VI. Alresca's Fate 97 VII. The Vigil by the Bier 122 VIII. The Message 134 IX. The Train 150 X. The Steamer 172 XI. A Chat with Rosa 196 XII. Egg-and-milk 210 XIII. The Portrait 224 XIV. The Villa 237 XV. The Sheath of the Dagger 249 XVI. The Thing in the Chair 260 XVII. The Menace 273 XVIII. The Struggle 286 XIX. The Intercession 298 MENTAL EFFICIENCY AND OTHER HINTS TO MEN AND WOMEN By Arnold Bennett 1911 CONTENTS Page I. Mental Efficiency 7 The Appeal 7 The Replies 13 The Cure 19 Mental Calisthenics 24 II. Expressing One's Individuality 32 III. Breaking with the Past 39 IV. Settling Down in Life 45 V. Marriage 53 The Duty of It 53 The Adventure of It 59 The Two Ways of It 65 VI. Books 72 The Physical Side 72 The Philosophy of Book Buying 78 VII. Success 84 Candid Remarks 84 The Successful and the Unsuccessful 91 The Inwardness of Success 97 VIII. The Petty Artificialities 104 IX. The Secret of Content 112 A GREAT MAN A FROLIC By Arnold Bennett 1904 CONTENTS CHAPTER I. HIS BIRTH II. TOM III. HIS CHRISTENING IV. AGED TWELVE V. MARRONS GLACÉS VI. A CALAMITY FOR THE SCHOOL VII. CONTAGIOUS VIII. CREATIVE IX. SPRING ONIONS X. MARK SNYDER XI. SATIN XII. HIS FAME XIII. A LION IN HIS LAIR XIV. HER NAME WAS GERALDINE XV. HIS TERRIBLE QUANDARY XVI. DURING THE TEA-MEETING XVII. A NOVELIST IN A BOX [Pg viii] XVIII. HIS JACK-HORNERISM XIX. HE JUSTIFIES HIS FATHER XX. PRESS AND PUBLIC XXI. PLAYING THE NEW GAME XXII. HE LEARNS MORE ABOUT WOMEN XXIII. SEPARATION XXIV. COSETTE XXV. THE RAKE'S PROGRESS XXVI. THE NEW LIFE XXVII. HE IS NOT NERVOUS XXVIII. HE SHORTENS HIS NAME XXIX. THE PRESIDENT ANNA OF THE FIVE TOWNS By Arnold Bennett CONTENTS CHAPTER I. THE KINDLING OF LOVE II. THE MISER'S DAUGHTER III. THE BIRTHDAY IV. A VISIT V. THE REVIVAL VI. WILLIE VII. THE SEWING MEETING VIII. ON THE BANK IX. THE TREAT X. THE ISLE XI. THE DOWNFALL XII. AT THE PRIORY XIII. THE BAZAAR XIV. END OF A SIMPLE SOUL FROM THE LOG OF THE VELSA By Arnold Bennett Pictures By E. A. Rickards And A Frontispiece By The Author 1914 CONTENTS FROM THE LOG OF THE VELSA PART I HOLLAND CHAPTER I—VOYAGING ON THE CANALS CHAPTER II—DUTCH LEISURE CHAPTER III—DUTCH WORK CHAPTER IV—THE ZUYDER ZEE CHAPTER V—SOME TOWNS CHAPTER VI—MUSEUMS PART II—THE BALTIC CHAPTER VII—THE YACHT I LOST CHAPTER VIII—BALTIC COMMUNITIES CHAPTER IX—A day’s SAIL PART III COPENHAGEN CHAPTER X—THE DANISH CAPITAL CHAPTER XI—CAFÉS AND RESTAURANTS CHAPTER XII—ARISTOCRACY AND ART CHAPTER XIII—THE RETURN PART IV—ON THE FRENCH AND FLEMISH COAST CHAPTER XIV—FOLKESTONE TO BOULOGNE CHAPTER XV—TO BELGIUM CHAPTER XVI—BRUGES PART V—EAST ANGLIAN ESTUARIES CHAPTER XVII EAST ANGLIA CHAPTER XVIII—IN SUFFOLK CHAPTER XIX—THE INCOMPARABLE BLACKWATER TERESA OF WATLING STREET A Fantasia On Modern Themes By Arnold Bennett With Eight Illustrations By Frank Gillett 1904 CONTENTS TERESA OF WATLING STREET CHAPTER I—THE BANK CHAPTER II—THE CIRCUS CHAPTER III—CHINK OF COINS CHAPTER IV—MR. PUDDEPHATT CHAPTER V—FIRE CHAPTER VI—THE DESIRE FOR SILVER CHAPTER VII—NOLAN CHAPTER VIII—THE PEER’S ADVICE CHAPTER IX—A VISIT CHAPTER X—MONEY-MAKING CHAPTER XI—END OF THE NIGHT CHAPTER XII—THE NAPOLEON CHAPTER XIII—THE VASE CHAPTER XIV—FEATHERSTONE’S RECITAL CHAPTER XV—ARRIVAL OF SIMON CHAPTER XVI—THE INTERVIEW CHAPTER XVII—THE CLOSE THE CITY OF PLEASURE A Fantasia on Modern Themes By Arnold Bennett 1907 CONTENTS THE CITY OF PLEASURE PART I—CARPENTARIA CHAPTER I—Over the City CHAPTER II—Interviewed CHAPTER III—Inspiration CHAPTER IV—Mrs. Ilam CHAPTER V—The Band CHAPTER VI—The Black Burden CHAPTER VII—The Cut CHAPTER VIII—Disappearance of Juliette CHAPTER IX—The Dead Dog CHAPTER X—A Pinch of Snuff CHAPTER XI—The Return to Life CHAPTER XII—On the Wheel CHAPTER XIII—Performances of Mr. Jetsam PART II—THE TWINS CHAPTER XIV—Entry of the Twins CHAPTER XV—Proposal of Josephus CHAPTER XVI—The Box CHAPTER XVII—The Man on the Balcony CHAPTER XVIII—An Arrangement for a Marriage CHAPTER XIX—The Heart of the City CHAPTER XX—What Jetsam Wanted CHAPTER XXI—Interrupting a Concert CHAPTER XXII—Carpentaria as Detective CHAPTER XXIII—The Talk in the Garden PART III—JETSAM CHAPTER XXIV—The Boat CHAPTER XXV—-A Wholesale Departure CHAPTER XXVI—The Empty Bedroom CHAPTER XXVII—The Photograph CHAPTER XXVIII—The Dead March CHAPTER XXIX—Mr. Jetsam’s Recital CHAPTER XXX—The Words of Mrs. Ilam CHAPTER XXXI—Unison PARIS NIGHTS And Other Impressions of Places and People By Arnold Bennett MCMXIII CONTENTS PARIS NIGHTS—1910 I—ARTISTIC EVENING II—THE VARIÉTIÉS III—EVENING WITH EXILES IV—BOURGEOIS V—CAUSE CÉLÈBRE VI—RUSSIAN IMPERIAL BALLET AT THE OPERA LIFE IN LONDON—1911 I—THE RESTAURANT II—BY THE RIVER III—THE CLUB IV—THE CIRCUS V—THE BANQUET VI—ONE OF THE CROWD ITALY—1910 I—NIGHT AND MORNING IN FLORENCE II—THE SEVENTH OF MAY, 1910 III—MORE ITALIAN OPERA THE RIVIERA—1907 I—THE HÔTEL TRISTE II—WAR! III-“MONTE” IV—A DIVERSION AT SAN REMO FONTAINEBLEAU—1904-1909 I—FIRST JOURNEY INTO THE FOREST II—SECOND JOURNEY INTO THE FOREST III—THE CASTLE GARDENS IV—AN ITINERARY SWITZERLAND—1909-1911 I—THE HOTEL ON THE LANDSCAPE II—THE EGOIST III—THE BLAND WANDERER IV—ON A MOUNTAIN ENGLAND AGAIN—1907 I—THE GATE OF THE EMPIRE II—AN ESTABLISHMENT III—AMUSEMENTS IV—MANCHESTER V—LONDON VI—INDUSTRY THE MIDLANDS—1910-1911 I—THE HANBRIDGE EMPIRE II—THE MYSTERIOUS PEOPLE III—FIRST VOYAGE TO THE ISLE OF MAN IV—THE ISLAND BOARDING-HOUSE V—TEN HOURS AT BLACKPOOL THE BRITISH HOME—1908 I—AN EVENING AT THE SMITHS’ II—THE GREAT MANNERS QUESTION III—SPENDING-AND GETTING VALUE IV—THE PARENTS V—HAMIT’S POINT OF VIEW VI—THE FUTURE STREETS ROADS AND TRAINS—1907-1909 I—IN WATLING STREET II—STREET TALKING III—ON THE ROAD IV—A TRAIN V—ANOTHER TRAIN End of the Project Gutenberg EBook of Index of The Project Gutenberg Works of Arnold Bennett, by Arnold Bennett *** END OF THIS PROJECT GUTENBERG EBOOK INDEX OF PG WORKS OF ARNOLD BENNETT *** ***** This file should be named 58075-0.txt or 58075-0.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/5/8/0/7/58075/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.