The Project Gutenberg EBook of Behold this Dreamer, by Elizabeth Bartlett
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you'll have
to check the laws of the country where you are located before using this ebook.
** This is a COPYRIGHTED Project Gutenberg eBook, Details Below **
** Please follow the copyright guidelines in this file. **
Title: Behold this Dreamer
Author: Elizabeth Bartlett
Release Date: October 30, 2018 [EBook #58207]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK BEHOLD THIS DREAMER ***
Produced by Al Haines, produced from scans provided by Steven Bartlett
[Illustration: Cover art]
BEHOLD THIS DREAMER
Elizabeth Bartlett
_Behold This Dreamer_ was originally published in 1959 by Editorial Jus
in Mexico City, and is now out-of-print. The authors literary
executor, Steven James Bartlett, has decided to make the book available
as an open access publication, freely available to readers through
Project Gutenberg under the terms of the Creative Commons
Attribution-Noncommercial-NoDerivs license, which allows anyone to
distribute this work without changes to its content, provided that both
the author and the original URL from which this work was obtained are
mentioned, that the contents of this work are not used for commercial
purposes or profit, and that this work will not be used without the
copyright holder's written permission in derivative works (i.e., you
may not alter, transform, or build upon this work without such
permission). The full legal statement of this license may be found at:
http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
[Illustration: Creative Commons logo]
_Behold this Dreamer_
_By_ ELIZABETH BARTLETT
BOOKS
_poems of yes and no_
_Behold this Dreamer_
POEMS
_Accent, American Weave, Approach, Arizona Quarterly, Beloit Poetry
Journal, Canadian Forum, Catholic World, Chelsea Review, Coastlines,
Commentary, Cresset, Epos, Fiddlehead, Folio, four quarters, Harper's,
Harper's Bazaar, Literary Review, Mexican Life, Naked Ear, New Mexico
Quarterly, New Poems 2, New Voices 2, N. Y. Herald Tribune, N. Y.
Times, Nimrod, Odyssey, Outposts, Personalist, Poetry Chapbook, Prairie
Schooner, Quixote, Saturday Review, Shenandoah Review, Southwest
Review, Sparrow, Step Ladder, Venture, Views, Western Review, Western
Humanities Review, Whetstone, Wisconsin Poetry._
Acknowledgements: Certain of the poems in this collection have appeared
in publications listed above.
The title, _Behold This Dreamer_, is taken from an anthology of that
name, in tribute to its author, Walter de la Mare (1873-1956).
_Behold this Dreamer_
_Elizabeth Bartlett_
_Editorial Jus, S. A._
_Mexico City_
First Edition
© 1959 Elizabeth Bartlett
_To_ CHARLOTTE HOWELL REED
CONTENTS
Vision
The poet's dream
Time will tell
Afternoon of a journey
The cave
The test
In his image
All this, before
The creation
_Vision_
EYE _center of the universe
Whose pupil is the world
Teach us to see the light
Embracing night_
_Between the sunset and the dawn
To see the unicorn
Within that crystal ball
Of pure recall_
_Where time is an iris mirror
A pointillated blur
Of image and of form
Caught in its storm_
_With every moment held inside
The frame of canvas mind
Forever captive, stilled,
Motion fulfilled_
_Where memory and dream evoke
The future like a window
Made of stained glass, one cast
From the fractured past_
_As retina and perspective
For our darkness, the bridge
Connecting what has been
With things foreseen_
_Through your bright lens, illuminate
The galaxy that waits
Invisible as trust
In stars and dust_
_The Poet's Dream_
WHEN _the waters of the sun
Fall on the flaming sea_
_When the desert rose is one
With the snow sipping bee_
_All that our senses now shun
Time's alchemy will free_
_On the coral shores of night
The ghosts of fish shall wake_
_And offer incense to the light
That gives them bread to break_
_From the singing shells with wings
An artist's eye shall peer_
_With violin hands for strings
And a poet's ear_
_Then white silence like a nun
Shall lift her long white sleeves_
_And shake the treasures she has spun
From dreams whose thread she weaves_
_From the surf of mountain caves
A billion stars shall gush_
_And whirl on the windward waves
Through the darkened hush_
_In the valley of moon trees
The glowing fruit shall sway_
_And rise by twos and threes
Above the cradled day_
_On the jungle's peaceful floor
Lion and deer shall meet_
_A crucifix made of ore
Between their kneeling feet_
_All of this and more shall be
Within that shining net_
_When time redeems mortality
From its mortal debt_
_Then magnet age shall point its north
Towards youth's eternal pole_
_That alpha star in the fourth
Dimension of the soul_
_Where love curves back in heartspace
Within its chrysalis_
_And gravitates the imaged face
Of the all creating this_
_From the light years of the past
The undeflected force_
_Shall bind the future fast
To God's own source_
_As cause and word unending
Repeat the rhythmic plan_
_Of universe transcending
Man's origin as man_
_Time Will Tell_
WHERE _fireflies are stars
And the evening sky a sea,
There you will find me, far
From the leveling demands
That leveled you and me._
_When distant mountains bend
Like deep swells toward the shore,
Then you will see the ends
For which I built my dikes
Against the lowly roar._
_Though breath was all I owned
To force my heart to climb,
Though words were all the stones
I had to seal my mind,
You will know why, in time._
_Afternoon of a Journey_
THERE _will never be another,
That day was forever._
_We dove through tropic noon
Into a green sky. The palms stood
Quiet, still, their fronds
Like swollen waves about
To break, transparent, lime limned
And streaked from base to rim
With icy light._
_Lungs gilled and arms finned wide,
We slipped into the pale
Of that dry sea, following downrays
Until we reached the cool
Of silence, a sandpaved lagoon
Upholding its weight of time
Under trees that climbed._
_Perched on a log, we scanned
The currents, the drifting shaft
Of shadows, instinctively alert
To armadillo's crawl, the stir
Of something red,
The eye of an iguana met...
Ourselves. Perceiving_
_We were not alone in breathing,
Being witness,
As well as evidence
In that primal air,
How all of us shared
In the serene of a sunless glow
Which waterless flowed._
_Gently, we moved along a path
That opened as we passed,
Whispering our affirmations
To those secret ones
Who flickered and flashed,
Carrying our echoes back
From near, then far, far off._
_And slowly, the silence arced,
Leaped high--and broke,
With parrots in the undertow
As the waves rolled over
And the green tide flooded
The forest floor, whirling,
Swirling a world set free._
_Now all of us were cells
In a chemistry of shells
Older than snails,
Plankton or sunbaked clay,
Fellow creatures in an afternoon
As joyous as a long lost tune
About to be remembered._
_Oh all of us there
In that drenched, tropic green
Began to sing and sing,
Shedding our ties
With root and rock and sky,
As we found our song
In our living bond._
_Pod and leaf, mouth and beak,
Whatever lived and breathed
That sudden afternoon,
Sang wonder through the woods,
As we heard and discovered
Each in the other
Without a word._
_Until a metallic bird,
On roaring wings,
Crashed our song beneath
The hammered surf,
As it thundered,
Like lightning in a storm,
Fearfully born._
_Then all of us
Grew motionless
In the sculptured undersea
Of silenced green,
Knowing, as we did again,
The thing forbidden and forgotten
In a world of men._
_There will never be another,
That day was forever._
_The Cave_
DROP _by drop
The earth is born
A billion years
From dark to dawn_
_Drop by drop
As rivers flow
Past sunless cliffs
No wind has known_
_Where no grass blows
And no birds sing
There time drips slow
And patient clings_
_Drop by drop
Till waterfalls
Are turned to stone_
_Here new stars form
And mountains rise
Clear of the storms
That twist the sky_
_Drop by drop
While caverns tall
Carve crystal bones_
_What dream lies walled
Within this night
What shape shall crawl
Up to the light_
_Drop by drop
As silence grows
Inside its vault
Of carbon snow_
_When glaciers halt
Before no zones
When both the poles
At last are one_
_Drop by drop
The dawn shall come
A billion years
From cave to sun_
_The Test_
HE _who would climb the heights of tone
And scale the peaks beyond the listening ear,
Must first walk over water
And learn to stand on air, alone._
_He who would swim the waves of light
And dive past shores into a sunless glow,
Must first merge with his shadow
And melt through solid glass, like night._
_Where eyes are fins and sound is leap,
The rhythmic force performs its own ballet;
When dreams are fired in clay,
They burn a path through timeless sleep._
_In His Image_
WHO _has not looked into the heart of night
and seen the darker light,
concealed like spectral stars
beyond the rim of Mars,_
_Who has not listened to the sound of mind
and heard the silence wind,
like rivers underground
out to a sea profound,_
_has only eyes and ears._
_Who has not reached above the clouded span
and touched the cosmic plan,
upheld like spider's climb
upon the spokes of time,_
_Who has not followed the labyrinthine thread
And crushed the monstrous dread,
that other men may gleam
the glory of the dream,_
_has only hands and feet._
_Who has not lived within his hour of space
and etched it with his face,
as portrait of the sun
reflects the solar one,_
_is only shape and dust._
_All This, Before_
I RACED, _I rushed, I ran,
to catch the empty hand of time--
Before the wind, the blowing wind,
This breathless gift._
_I willed, I worked, I wept,
To melt the frozen face of time--
Before the sun, the burning sun,
This frenzied bone._
_I drank, I danced, I dared,
To tempt the stony foot of time--
Before the rain, the driving rain,
This raptured flame._
_I leaped, I laughed, I loved,
To ease the burdened heart of time--
Before the dust, the settling dust,
This flesh and blood._
_The Creation_
OUT _of the white and the blue
Out of the mist and the ice
Out of the wind and the flame
The creature came._
_With eyes as brilliant as the light
With ears as lucid as the sound
With feet as sudden as the thought
The creature caught_
_A breath from the yawning sky
A drop from the nodding sea
A root from the sleeping earth
And from their birth_
_Measured the length of the seasons
Balanced the rhythm of the tides
Secured the growing of the seed
And woke the need_
_Of the dream inside the egg
Of the thirst within the cell
Of the shape beneath the bone
Then took a stone_
_And breaking the silent void
And loosing the swollen stream
And cutting the golden thread
The creature said:_
_Here on this dot of bounded space
Here in this point of moving time
Here with this seal of life and death
I fix my breath_
_That all the works of my hands
That all the passions of my heart
That all the wonders of my brain
Shall here remain._
_I, Gilgamesh, Rama, Adam
I, Phoenician, Saxon, Mayan
I, Peasant, Leader, Architect
By this reject_
_Perpetual day or night
Everlasting rain or drought
Eternal struggle or peace
Until words cease_
_Between infinite men and gods
Between partisan young and old
Between ultimate right and wrong
For each is strong._
_Let calendar be as record
Let monument be as witness
Let history here determine
Which shall win._
_Then the sky hurled its lightning
Then the sea roared its thunder
Then the earth reared its fire
To show their ire_
_At the vanity of the ego
At the rashness of the sower
At the folly of the dreamer
And redeemer_
_Who would thus destroy the sun
Who would thus defy the flood
Who would thus pollute the air
And showed him there_
_The blinding vision of the truth
The deafening echoes of the damned
The crashing madness of the plan
That he began._
_And when he saw the faces
And when he heard the weeping
And when he knew the sickness
That men possess_
_As mortal children of ambition
As transient strangers of desire
As fatal victims of perfection
Released by none_
_From the essence of the grape
From the music of the reed
From the incense of the bowl
The creature stole_
_The power of forgetfulness
The illusion of contentment
The promise of exaltation
Making them one_
_That the lost and unfulfilled
That the laughter and the pain
That the glory and defeat
Be complete_
_Seeing how frail is the candle
Hearing how brief is the song
Knowing how soon is the temple
Darkened and still._
_Then slipped the root from his feet
Then poured the sound from his ears
Then blew the light from his eyes
And went more wise_
_Into the white and the blue
Into the mist and the ice
Into the wind and the flame
The way he came._
[Editorial note: The author's literary executor discovered in Elizabeth
Bartlett's personal autographed hardbound copy of _Behold This Dreamer_
her own marginal notations relating to the next-to-the-last stanza of
the above poem, accompanied by her confirming handwritten revision of
that stanza. The stanza as printed here incorporates her revision.]
_Behold This Dreamer_
is a signed, limited edition
designed by the author
on Corsican rag paper
in Baskerville type
ABOUT THE AUTHOR
Elizabeth Bartlett (1911-1994) was an American poet and writer noted
for her lyrical and symbolic poetry, creation of the new twelve-tone
form of poetry, founder of the international non-profit organization
Literary Olympics, Inc., and known as an author of fiction, essays,
reviews, translations, and as an editor. She is not to be confused with
the British poet (1924-2008) of the same name. For more detailed
information about her life, work, and critical commendations, see the
Wikipedia article
http://en.wikipedia.org/wiki/Elizabeth_Bartlett_%28American_poet%29.
Bartletts most notable achievements include:
* Creation of a new form of poetry, "the twelve-tone poem," adapting
Arnold Schonbergs musical system to the verbal, accented sounds of
language. Called "the Emily Dickinson of the 20th Century," her concise
lyrics have been praised by poets, musicians, and composers alike.
* Publication of 16 books of poetry, a group of edited anthologies, and
more than 1,000 poems, short stories, and essays published, for
example, in _Harpers_, _Virginia Quarterly_, _New York Times_, _North
American Review_, _Saturday Review_, _Prairie Schooner_, and in
numerous international collections.
* Recipient of many fellowships, grants and awards, including NEA, PEN
Syndicate, fellowships at the Huntington Hartford Foundation, Montalvo,
Yaddo, MacDowell, Dorland Mt. Colony and Ragdale, travel grants, and
honors for introducing literature as part of the Olympics.
* Founder of the Literary Olympics, to restore literature, specifically
poetry, as a vital part of the Olympics as it once had been in ancient
Greece.
Bartletts poetry came to the attention of leading poets, writers, and
critics as diverse as Marianne Moore, Wallace Stevens, Mark Van Doren,
Conrad Aiken, Allen Tate, Alfred Kreymborg, Robert Hillyer, Louis
Untermeyer, Rolfe Humphries, John Ciardi, Richard Eberhart, Richard
Wilbur, Maxine Kumin, Robert M. Hutchins, Kenneth Rexroth, William
Stafford, and others. Over the years, Bartlett maintained an active and
extensive correspondence with eminent poets, writers, and literary
critics; evident throughout this collected literary correspondence are
strong statements attesting to the importance of her work.
_Behold This Dreamer_ was published in Mexico City in 1959. By 1961,
Jonathan Williams wrote of the book: "Your language is cultivated,
employed consistently and lucidly. To my observation, it seems fair to
say that you belong with the best of your generation, which I would say
includes May Swenson, Denise Levertov, Garrigue, et al." Louis
Untermeyer added his voice: "I particularly like your fusion of
observation and whimsicality, as well as your avoidance of the poetic
stereotypes." Rolfe Humphries was intrigued by Bartletts poetic
techniques: "I enjoyed your poems and admire many...." About _Behold
This Dreamer_, Gustav Davidson wrote: "I enjoyed reading these poems.
I was impressed by their precision, clarity, and technical competence."
About the same work, critic Paul Jordan-Smith wrote: "Your poems were
begotten of a strong, imaginative sense. My congratulations on this
beautiful collection."
Elizabeth Bartlett's husband, Paul Alexander Bartlett (19091990) was
an American writer, artist, and poet. He made a large-scale study of
more than 350 Mexican haciendas, published novels, short stories, and
poetry, and worked as a fine artist in a variety of media. For more
detailed information about his life and work, see the Wikipedia article
https://en.wikipedia.org/wiki/Paul_Alexander_Bartlett .
Elizabeth Bartletts son, Steven James Bartlett (1945 ), is a
psychologist and philosopher who has published many books and articles
in the fields of philosophy and psychology. For more detailed
information about his life and work, see the Wikipedia article
https://en.wikipedia.org/wiki/Steven_James_Bartlett.
End of Project Gutenberg's Behold this Dreamer, by Elizabeth Bartlett
*** END OF THIS PROJECT GUTENBERG EBOOK BEHOLD THIS DREAMER ***
***** This file should be named 58207-8.txt or 58207-8.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/5/8/2/0/58207/
Produced by Al Haines, produced from scans provided by Steven Bartlett
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
This particular work is one of the few copyrighted individual works
included with the permission of the copyright holder. Information on
the copyright owner for this particular work and the terms of use
imposed by the copyright holder on this work are set forth at the
beginning of this work.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that
* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation."
* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.
* You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.
The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works.
Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our Web site which has the main PG search
facility: www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
Behold this Dreamer
Subjects:
Download Formats:
Excerpt
The Project Gutenberg EBook of Behold this Dreamer, by Elizabeth Bartlett
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you'll have
to check the laws of the country where you are located...
Read the Full Text
— End of Behold this Dreamer —
Book Information
- Title
- Behold this Dreamer
- Author(s)
- Bartlett, Elizabeth
- Language
- English
- Type
- Text
- Release Date
- October 30, 2018
- Word Count
- 5,922 words
- Library of Congress Classification
- PS
- Bookshelves
- Browsing: Literature, Browsing: Poetry
- Rights
- Public domain in the USA.
Related Books
Poems
by Van Vorst, Marie
English
171h 20m read
Poems
by Bacon, Josephine Daskam
English
144h 3m read
The wounded Eros
by Gibson, Charles
English
340h 47m read
Poems of love
by Wilcox, Ella Wheeler
English
267h 45m read
Poems of life
by Wilcox, Ella Wheeler
English
169h 5m read
Twelve poems
by Wharton, Edith
English
73 hours read